During a three-month Residency at the European Ceramic Workcentre (EKWC), Greet investigated if sediment from the seabed can be used to create a speculative prototype of refuges for marine life displaced by exploitation. She tested the clayish material and applied it in structures that might attract sponges, octopuses, anemones and other fascinating creatures that inhabit the deep. She also created a glaze based on the sediment to cover larger models of the nodules, meant to feature in performances by A Seat for the Sea that highlight the disruptive effects of deep-sea mining.

From: Recolonising the Deepsea