Greet Brauwers
Greet's practice spans community collaborations, collective projects, published texts, and lectures. She creates solo and collaborative projects and has conducted research projects in Brazil, Argentina, Chile, Bolivia, the Cook Islands and the Azores. She has a master's degree in audiovisual arts, KASK Ghent.
She is the author of several documentaries including 'Bruxelles-Kinshasa', 'Do You Copy Me?', 'Torture in Baraka', 'Marrying across the border' and 'Everyone migrant'. The documentary 'Lithium, curse or blessing for Bolivia' was awarded the press prize of the Council for Sustainable Development. She created participatory socio-artistic projects and she worked for the alternative media platform Indymedia.be.
Since 2017, she has been working at the intersection of documentary, anthropology and visual arts. In collaboration with SoundImageCulture (SIC), she realised the film 'Traces Mathieu Corman, A Platform for Phantoms of the Past' (part of a performance at Beursschouwburg, Chambres d'O and TAZ). Together with Raf Custers, Greet started an artistic project linked to deep-sea mining in 2020. Besides energy transition, the theme touches on commons and binary thinking, man versus nature.
Algae to Ashes, Ashes to Glazes
10 items
Audio workshop ASftS #3
5 items
Beyond the Dirt, in 5 Selfies
13 items
Goémoniers et alges, Bretagne
5 items
Seaweed textures
12 items
The Ocean's Trompe l'Oeil
5 items
